Beauty by Glo
17 January 2011
05 January 2011
"My what lovely feathers"
Mega shadows and lip-colors with a metallic sheen! Check out M-A-C's new PEACOCKY collection! I know I will!
22 December 2010
Oh Francoise
19 December 2010
Although..
The commercial for Gucci Guilty pretty much sucked, I must say this perfume is gorgeous. Such a wonderful scent!
And no ladies the guy (or girl) of you're dreams will not attack you and have animalistic sex with you, guys in real life barely notice the perfume you're wearing. I assure you this though, you will leave many people intrigued when you walk by! ;) A little pricey but definitely worth it.
And no ladies the guy (or girl) of you're dreams will not attack you and have animalistic sex with you, guys in real life barely notice the perfume you're wearing. I assure you this though, you will leave many people intrigued when you walk by! ;) A little pricey but definitely worth it.
17 December 2010
15 December 2010
Oyster talks to lloyd Simmonds
"For even the most cosmetically challenged amongst us, there is one product we cannot live without — YSL’s Touché Éclat. No one knows this better than YSL’s new International Make-up Artist, Lloyd Simmonds. “I can’t work without my Touché Éclat,” he says when I speak with him, “or my YSL lipsticks — they are so rich and so intense.” Unsurprising then, that the look for the recent YSL Spring Summer show (pictured above) was all about luminous complexions.
Following in the footsteps of legendary make-up artist, Val Garland — who had the role before him — Simmonds has been a fan of the brand from a young age. “I discovered YSL’s Opium in 1979. It was a revelation to me, “ he says. “Suddenly a perfume embodied everything I loved, everything I was and wanted to be. The players of this world were called Guy Bourdin, Helmut Newton. It was more than luxury, it was luxury of the imagination.”
Simmonds’ career began in the imaginative world of theatre and dance, an experience that gave him a taste for creativity and colour. “It was the early eighties; self-expression and punk-influenced exhibitionism were very influential,” he says. “I studied art and have always painted and drawn. My work is based on the principals of Chiaroscuro and classical drawing technique, and has always been very painterly.”
Sounds like the perfect foundations for his new gig. So what is his vision for YSL? “To use their fabulous heritage of style, beauty, innovation… and most of all the magical power of colour,” he says. And what won’t we be seeing on the runway? “One of the things I would like to disappear,” he says, “is the fashion of overly lined lips. Never a good look.”" check out the interview here
YSL love
Following in the footsteps of legendary make-up artist, Val Garland — who had the role before him — Simmonds has been a fan of the brand from a young age. “I discovered YSL’s Opium in 1979. It was a revelation to me, “ he says. “Suddenly a perfume embodied everything I loved, everything I was and wanted to be. The players of this world were called Guy Bourdin, Helmut Newton. It was more than luxury, it was luxury of the imagination.”
Simmonds’ career began in the imaginative world of theatre and dance, an experience that gave him a taste for creativity and colour. “It was the early eighties; self-expression and punk-influenced exhibitionism were very influential,” he says. “I studied art and have always painted and drawn. My work is based on the principals of Chiaroscuro and classical drawing technique, and has always been very painterly.”
Sounds like the perfect foundations for his new gig. So what is his vision for YSL? “To use their fabulous heritage of style, beauty, innovation… and most of all the magical power of colour,” he says. And what won’t we be seeing on the runway? “One of the things I would like to disappear,” he says, “is the fashion of overly lined lips. Never a good look.”" check out the interview here
YSL love
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